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The Editor

Film editor Rey Ciso works on cutting director Francesco Mancini's latest giallo/poliziotteschi film Tarantola with his beautiful assistant Bella. Once an acclaimed, up-and-coming editor, Rey lost his right-hand fingers in a freak accident and is now handicapped by a prosthetic wooden hand. After hours, an unknown killer sneaks into the studio and kills lead actor Claudio Calvetti and his girlfriend Veronica while they view a workprint of the film. Actress Margarit Porfiry stumbles upon Veronica's hanging body and is stricken with hysterical blindness. Her husband, Police Inspector Peter Porfiry, interviews studio employees.

The Editor

Back at the studio, Cesare is murdered in the shower and his fingers are severed. With Cesare dead, Francesco instructs Rey to re-cut the film to make Cal the new star. Porfiry questions Rey about his time in the asylum, and Rey recounts how his start in the business as an editor for acclaimed art house director Umberto Fantori, Bella's father, whose debut film The Mirror and the Guillotine earned him critical acclaim and introduced him to his wife, star Josephine Jardin. When his wife was fired by Mancini on her next film, the pressures of editing Fantori's next project, the world's longest film, mounted and Rey accidentally cut off his own fingers in a fit of madness. What Rey doesn't tell him is that he's found what appears to be footage of the murders, taken by an unknown third party. The interview over, Rey returns to work in the editing suite with Bella, where she confesses her love for him, but Rey resists her because he is married. Porfiry, meanwhile, is introduced to Cal's girlfriend Jasmine, who reveals that the two were once lovers. Porfiry remains oblivious to the bladed instruments in Cal's car.

O'Connor berates Porfiry over Margarit's death, and the killer calls him at the station to taunt him. Porfiry convinces O'Connor into supporting a plan where Giancarlo goes undercover as the new editor on Tarantola. Rey meanwhile, has been suffering from blackouts and hallucinations, and finding a bloodied shirt in his editing suite, begins to suspect himself as the killer. Mancini fires him and replaces him with Giancarlo, Rey dejectedly returns home to find Josephine obsessively watching Cal's demo tape. Burning the bloodied shirt in the kitchen sink, Rey begins having strange, otherworldly visions involving Bella; glimpsing a Lovecraftian netherworld filled with massive film reels and boiling tar. Bella meanwhile, finds the footage of the murders. Watching it, she is murdered by the killer; an act echoed in Rey's vision. He rushes to the studio, but arrives too late.

Trying to complete the film without any prior filmmaking knowledge, Giancarlo is beset by venomous tarantulas in the editing suite and is disemboweled by the killer. Over-schedule and over-budget, Mancini rehires Rey to finish the film, Rey revealing that he'd already completed his assembly cut before being fired. Mancini is ecstatic and the film is saved. Porfiry, convinced Rey is the killer, confronts Father Clarke, who tries to tell him his conviction is misguided. He explains an old, Roman-era superstition that editors were believed to be bridges to the netherworld.

One of our founding collections, the Editor series offers a stunning marriage of linen and leather that is elegant as it is inspiring. Exotically lined with hand-illustrated prints by Meryl Pardoen and Louis Barthelemy, four colorways include our original Black and Sea Green plus new Navy and Brown. Worthy of your keenest editorial eye

The Santa Fe New Mexican welcomes submissions to the popular Letters to the Editor and My View features of the Opinion section. Letters to the Editor are limited to 150 words, while My View features provide a space of up to 600 words. All submissions are subject to editing, including for clarity, length, civility and style. Some My View submissions may be edited to run as letters to the editor. Questions about the opinion section can be sent to Contact information is required for opinion submissions and will be verified by an editor.

Amy McKenna is a senior editor, primarily focused on geography and history matters pertaining to sub-Saharan Africa. She joined Encyclopaedia Britannica in 2004. She was previously employed by Standard Educational Corporation, where she worked on the New Standard Encyclopedia for eight years.

Barbara Schreiber is an Editorial Assistant at Encyclopædia Britannica. She graduated cum laude from Saint Xavier University, Chicago, with a B.A. degree in Mass Communications. She also holds a M.A. degree in English Literature from Northwestern University in Evanston, Ill. She worked at the John G. Shedd Aquarium prior to joining the editorial staff at Britannica in 2001.

Erik Gregersen is a senior editor at Encyclopaedia Britannica, specializing in the physical sciences and technology. Before joining Britannica in 2007, he worked at the University of Chicago Press on the Astrophysical Journal. Prior to that, he worked at McMaster University on the ODIN radio astronomy satellite project.

Jayanthi Gopalakrishnan has spent more than two decades as a financial writer and managing editor, including 17 years as the editor for Technical Analysis of Stocks & Commodities magazine. Her topics of expertise include futures and options trading strategies, stock analysis, and personal finance.

John P. Rafferty writes about Earth processes and the environment. He serves currently as the editor of Earth and life sciences, covering climatology, geology, zoology, and other topics that relate to the natural world. Prior to joining Encyclopaedia Britannica in 2006, he held teaching positions at Lewis University, Roosevelt University, and the University of Illinois at Urbana-Champaign.

Kara Rogers is the senior editor of biomedical sciences at Encyclopædia Britannica, where she oversees a range of content from medicine and genetics to microorganisms. She joined Britannica in 2006 and has been a member of the National Association of Science Writers since 2009.

MP Dunleavey is an award-winning personal finance journalist and author. For several years she was the Cost of Living columnist for The New York Times, covering real-life financial, behavioral finance, and investing issues. She was also the founding editor-in-chief of, the first financial e-newsletter for women.

Michael Ray oversees coverage of European history and military affairs for Britannica. He earned a B.A. in history from Michigan State University in 1995. He was a teacher in the Chicago suburbs and Seoul, South Korea, prior to joining Britannica as a freelancer in 2000 and a full-time copy editor in 2003.

Pat Bauer graduated from Ripon College in 1977 with a double major in Spanish and Theatre. She spent most of the next 42 years working as a copy editor and editor at Encyclopaedia Britannica. She retired in 2021 but was unable to break the habit and now works as a freelance editor.

And, with content editor access, you can invite your clients to manage their own site without breaking the design. In this lesson, content editors can learn more about how to access the Editor and how to troubleshoot any log in issues.

Content editors can access the Editor for their website by adding /?edit to the end of their website URL in the browser address bar (e.g., Once they log in, they can access their website in Editor mode.

The Editor allows multiple team members and content editors to edit static and dynamic site content at the same time. If two people are editing the same content at the same time, the last edits "win," so you'll still want to coordinate editing times with your teammates and content editors. The Editor also provides a Site activity log so you can see who edited your site, and what edits they made, before publishing your site.

Changelog - this shows the number of unpublished changes next to the publish button at the bottom left. Clicking the changelog reveals a list of items and pages with unpublished changes, and you can see which content editor or Workspace member made them.

If your Workspace site has a CMS, Business, or Ecommerce site plan, you can invite content editors to collaborate on your site. Along with opening the site in the Editor, editing content, and staging changes, content editors can add CMS content and edit page settings.

Emma joined Nature in 2019. Before that she was a reporter and editor at Chemistry World, covering research, publishing, science policy and reviews. Emma has a degree in biological sciences from the University of Oxford.

David joined Nature in October 2016 from The British Medical Journal, where he was online editor. His journalism career began in 1990 as a general news reporter on a local evening newspaper. He then worked for UK GP magazine Pulse, Nursing Times, and The Food Standards Agency, where he managed its website and print publications. David has a degree in English and a postgraduate diploma in journalism.

Karen came to Nature's careers section in December 2008 after stints at Physics Today; a handful of business publishers in Washington DC and Charleston, South Carolina; and The Day, an independent daily newspaper in New London, Connecticut. Karen, who has degrees in English and mass communications, cut her teeth in the journalism business at The Day, where she was a business reporter and editor covering big pharma.*

Jeffrey Perkel has been writing and editing stories about laboratory technology since 2000, first as senior editor for Technology at The Scientist magazine and then as a freelance science writer. His work has appeared in BioTechniques, Nature, Science, and various American Chemical Society journals, among other outlets. He has a doctorate in cell and molecular biology from the University of Pennsylvania, and did postdoctoral work at the University of Pennsylvania and Harvard Medical School. He joined Nature in 2016. 041b061a72

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